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REFERENCES

THE CRANES CALL

 

„The Cranes Call has all the sharp, moody suspense of an Alan J. Pakula film.“

„If you walked into a theater [...] you’d probably assume it was a David Fincher movie for several minutes, given its [...] intense editing. [...] The editing by Martin Kayser-Landwehr makes maximum use of tiny details, giving even straightforward conversations a suspenseful rhythm.“

William Bibbiani

BlueSky / TheWrap

THE OIL MACHINE

…Martin is a wonderful editor to work with. He uses his full humanity to really feel his way into the film. I felt his generosity in ensuring there was space to find what the story needed narratively, as well as interrogating what the film could really be about. This way, he helped not to "force" a narrative structure but allowed one to emerge more naturally.  I was so grateful for his open-mindedness in collaboration.  He has a honed musicality as an editor and is fun, warm, and inventive as a collaborator.

Emma Davie

Director

BREAD

Martin‘s skills and handling of the Avid Media Composer, Da Vinci Resolve, Script sync, and many other specialized editing programs have been a great asset to this film, but above all his pleasant personality paired with a deep knowledge of conceptual and dramaturgical processes, his analytical skills and his empathy made it a very fruitful cooperation.

Johannes Rosenberger

Producer

THE POWER OF MOUNTAIN HERBS

I watched the film 3 times, can't imagine

the film is cut by a non native Chinese speaker, it is so great!

Freda Gao

LIC China 

NO ONE BUT ME

…Martin finds a strong connection with the material he is given and has a magical ability to find the best way to craft a moving, compelling story out of it. He is a true artist.

(Also very good on the technical side which is very helpful.) 

 I couldn’t recommend Martin more highly. He’s a major asset to the Scottish documentary community.

Gill Pary

Producer

DAVID WANTS TO FLY

„Tech package is first-rate, particularly the [...] pacey cutting

of Martin Kayser-Landwehr.“

Alissa Simon

Variety

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©2026 by Martin Kayser-Landwehr

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